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Effects |
 | | Eventide | |
H3000-D/SX |
Ultra-Harmonizer with full program library, last version before they were discontinued. |
 | | Eventide | | Eclipse | Current Ultra-Harmonizer with more power and full program library including H3000SE legacy programs. |
 | | Lexicon | | 960L | The industry flagship - 4 independent effects, 5.1 programs, LARC2 remote w/spatial joystick. |
 | | Lexicon | | 480L | The best sounding Lexicon reverb ever built - 2 independent effects, LARC remote - buckram, inside-out, all your favorite sounds. |
 | | Lexicon | | PCM81 | Industry standard multi-effect unit updated from PCM80. |
| | | Lexicon | | PCM91 | Like a PCM81 but all reverbs, lots of them - basically its 1/2 of a 480L. |
 | | Lexicon | | PCM70 | Classic reverb unit with 2.0 software (not the evil 3.2 software) no new units have legacy to these sounds. |
 | | T.C. Electronic | | 2290 | Advanced digital delay plus sampling - 4 seconds of delay, tap, dynamics, panning, MIDI send and receive. |
 | | T.C. Electronic | | D2 | The 21st century 2290 in one rack space, it does everything a delay can do + more. |
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| T.C. Electronic | | Reverb 4000 | The most powerful TC reverb ever, amazing emulations of AMS, EMT and Lexicon top-shelf sounds. |
 | | T.C. Electronic | | M5000 | Dual engine TC reverb (updated version) available with ATAC remote, "480 Hall" program lives here in 2RU. |
 | | T.C. Electronic | | M2000 | Dual effect, single I/O platform with great reverbs, fat slaps and pitch change. |
 | | T.C. Electronic | | M1-XL | Dual engine TC reverb in stereo I/O platform, does split mono verbs in 1rack space, sounds like a PCM80. |
 | | T.C. Electronic | | 1280 / 1380 | 2X2 and 1X3 precision delay lines with feet and milliseconds display options, 1 MHz sample rate, a truly transparent delay. |
 | | Yamaha | | SPX2000 | A true multi-effects unit with legacy programs from SPX90-II, REV5, SPX900, SPX990 and SPX1000. |
 | | Yamaha | | SPX990 | Industry standard reverb, I'm sure you know it inside and out - LOL! |
 | | Yamaha | | SPX900 | Vintage multi-effect unit still preferred by many engineers. |
| | | Yamaha | | SPX1000 | Vintage "true stereo" multi-effect unit still preferred by many engineers. |
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| Yamaha | | REV5 | Classic 2 space reverb with full keypad and analog EQ and easily accessed special parameters. |
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| Yamaha | | PROR3 | Updated version of REV5 with 20 bit converters, everything else is the same. |
 | | dbx | | 120A | Wave Modeling Sub-harmonic Synthesizer. |
Compressors |
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Amek System 9098 |
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Compressor |
The System 9098 Compressor is the legacy of the famous old 2254 Neve devices of the late 60s. |
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Aphex |
| 661 | Tube "expressor" full featured compressor with spectral recovery. |
 | | Avalon | | VT 737 sp | Tube channel strip. Class A preamp, opto-compressor with twin Class A vacuum tube triodes. Sweepable EQ, |
 | | BSS | | 404 | Four channel compressor/de-esser with fast/slow switch for attack and release. |
 | | BSS | | 901-II | Frequency dependent dynamic compressor. |
 | | dbx | | 160SL | Stereo discrete Class A VCA comp/limiter, the surgeon's scalpel of compression. |
 | | dbx | | 160A | True RMS overeasy™ compressor, the industry standard. |
 | | dbx | | 166XL |
Stereo true RMS compression w/simple gate and sidechain contour. |
 | | dbx | | 566 |
Stereo tube compressor /bias drive for controlled overload characteristic. |
 | | Drawmer | | 1960 | Stereo tube compressor and mic pre-amps + instrument input |
 | | Drawmer | | 1969 |
Mercenary edition of 1960, amazing piece, go Fletcher! |
 | | Drawmer | | 1968 | 1 RU stereo tube comps from the Mercenary 1969. Totally bitchin! |
 | | Empirical Labs | | Distressor | Advanced vintage comp simulator - tranny, spank; the porn of top-end compression! |
 | | Empirical Labs | | EL7 Fatso JR | Advanced stereo comp simulator - see above, stereo, twice as nasty. |
 | | Focusrite | | ISA430 MKII | Producer pack. The ultimate channel strip. This thing kills. |
 | | Focusrite | | RED3 | Stereo discrete Class A "Opto" compressor. |
 | | Focusrite | | RED7 | Neve mic preamp and compressor/de-esser/exciter - totally solid sound. |
 | | Summit | | TLA100A | Vintage reproduction tube leveling amp - 2 knobs, amazing sound! |
 | | Summit | | DCL200 | Stereo tube compressor with attack, release and slope controls. |
 | | Summit | | TL50A | Stereo tube leveling amp - almost like two TLA100As in one rack space, rock on! |
Gates |
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| Drawmer | | DS201 | Stereo gate with sidechain filters, the industry standard. |
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| Drawmer | | DS501 | Stereo gate with sidechain filters and fully tunable 'Peak Punch'. |
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| BSS | | 504 | Four channel gate with fast/slow switch on attack and parametric sidechain filter. |
Equalizers |
 | | TC Electronic | | EQ Station | 4 to 64 channels of advanced EQ - multi-emulation 1/3rd octave, parametric, finalizer, dynamic limiter and more. TC EQ Station rules! |
 | | TC Electronic | | Motofader 64 | Flying fader remote for the EQ Station. This unit is so user friendly - "job opening; TC EQ station operator. no experience required". |
 | | Lake Technology | | Contour 26 | 2X6 advanced system controller and EQ, mesa filters, cosine algorithms, analog and AES/EBU I/O, there's nothing better. |
 | | Lake Technology | | Mesa Quad | 4X4 advanced EQ, wireless PC tablet control, you gotta love it! |
 | | Lake Technology | |
Dolby Lake Processor |
The King of the Lakes! 8X8 EQ, 4X12 system control, OR 4X4 EQ and 2X6 system control. Useful for everything from the concert arena to the movie theater. |
 | | Drawmer | | 1961 | Stereo 5 band tube parametric EQ with control of subtle overload characteristics. This thing is so sweet. |
 | | Focusrite | | RED2 | Stereo Neve discrete parametric EQ - listen closely, it sounds really, really nice! |
 | | Klark Teknik | | DN370 | Stereo 1/3rd octave graphic with high and low filters and notch filters. Best of all, the Klark Teknik alchemy of sound and function. |
 | | Klark Teknik | | DN410 | Stereo five band parametric, top and bottom band have switching for shelving/peaking. |
 | | Meyer Labs | | CP10 | Stereo five band parametric EQ, John Meyer style. |
| | Schubert Systems | | EQ6 | Our own design, 6-BAND "feed forward" parametric EQ with advanced level control. |
 | | Summit | | EQF-100 | Tube "passive" parametric EQ and filter block, pultec style circuitry updated to modern power supply and input/output standards. |
Playback/Recorders |
 | | Denon | | DN-C550R | Pro dual drive CD recorder with CD playback drive and a CD-R/RW play and record drive. |
 | | Denon | | DN T620 | Pro cassette recorder and CD player. XLR and RCA line inputs and Dolby B and C noise reduction. |
 | | Panasonic | | SV3800 |
Professional DAT recorder with multiple inputs and sample rates. Yeah we still have these. |
 | | 360 Systems | | Instant Replay | 24 hours AC 2 recording with 50 hot-keys. Manages up to 1000 samples. |
Preloaded Racks |
| In a hurry or doing a multi-act festival? These racks are preloaded and ready to roll out the door. Each rack is supplied with internal patching and thermal management on the rear door, a 20' 52 pair multi-cable and the correct fan-out to interface with any type of console. |
 | | SSG | |
FOH Rack |
These racks are ideal for meeting the requirements of regional acts, corporate and festival events.
Each rack includes:
delay - 1 TC2290
harmonizer - 1 Eventide H3000DSX
reverb - 1 Lexicon PCM91 and 3 Yamaha SPX990
compression - 8 dbx 160A
gates - 8 channels Drawmer DS201 |
 | | SSG | |
Analog EQ Rack | These racks are loaded to be very 'rider friendly'
Each rack includes:
EQ - 12 channels Klark DN370 1/3rd octave graphics
compression - 4 channels BSS 404
gates - 4 channels BSS 504
reverb - 1 Yamaha SPX990 or TC M1XL (for dual operation) |
 | | SSG | |
Digital EQ Rack | These racks satisfy the most demanding applications.
Each rack includes:
EQ - 16 channels TC EQ Station w/motofader remote
compresion - 8 dbx 160A
gates - 8 chanels Drawmer DS201
reverb - 2 Yamaha SPX990 |
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